Abstract:

In recent years, the field of social sciences has witnessed a proliferation of new conceptual frameworks centered on aquatic themes such as Hydrocene, Blue Humanities, tidal dialectics, and liquid ontology.

Although diverse in their approaches, these liquid concepts collectively call for the adoption of what is often termed an “oceanic perspective.” Such a paradigm shift necessitates a reconfiguration of our epistemological categories—from a terrestrial viewpoint grounded in fixed spatial reference points to one that is fluid, dynamic, and decentralized, shaped by the sea’s own temporalities and rhythms.

In this context, artists emerge as essential intermediaries. They forge connections between scientific communities and the public, bridge global and local narratives, and translate abstract, complex concepts into tangible, sensory experiences.

Drawing on case studies from diverse regions and based on Ha Thuc’s new book, “Ocean Manifesto,” this lecture explores how artistic practices engage with aquatic epistemologies and contribute to the decentralization of dominant modes of thought.

Biography:

Caroline Ha Thuc is a French Hong Kong based independent art historian and curator.

Specialized in Asian contemporary art, Ha Thuc’s field of research focuses on research-based art practices and the emergence of alternative modes of knowledge production. Her book “Ocean Manifesto” (JBE Books, 2025) was launched in France for the United Nations Conference on the Ocean, in partnership with the French Development Agency (AFD).